![]() ![]() Landscape of the medieval city-Renaissance urbs that is Venice.(1) For The edge city of postmodernity, but from within the contained symbolic ![]() Not from the vantage point of the abstract metropolis of modernity, or Have discovered a means of articulating late-twentieth-century concerns Winterson is one of a number of writers who in the last fifteen years Lasted since the early years of this century, Venice has once againīecome a key symbolic landscape for literature in English: Jeanette ![]() Geographical as well as its cultural heritage. ![]() Might yet slip back beneath the waters from which it had so improbablyĪrisen, but also because of the ambiguity and paradox that inform its The frisson accompanying the possibility that all that faded loveliness Nineteenth-century Anglo-American imagination, fascinating not onlyīecause of the Romantic attraction to "beauty in decay" and It is a given that Venice was a central topos for the APA style: Second death in Venice: romanticism and the compulsion to repeat in Jeanette Winterson's 'The Passion.'.Second death in Venice: romanticism and the compulsion to repeat in Jeanette Winterson's 'The Passion.'." Retrieved from 1997 University of Wisconsin Press 31 May. MLA style: "Second death in Venice: romanticism and the compulsion to repeat in Jeanette Winterson's 'The Passion.'." The Free Library. ![]()
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